It produces an overemphasized bass, with balanced highs and mids. However, the ears are not completely enclosed by the ear pads, so that slight pressure points can appear on the ears after wearing them for a while. Sony headphones are lightweight and sit comfortably. The headphones can be folded tightly and stowed in the enclosed bag to save space. This is very functional if you need total concentration. The Sony product is perfect if you need a model that can eliminate background noise. They are light, have a sound pressure of 106 dB, and can be folded. The Sony MDR-7506 are the standard editing headphones that you can find in most editing studios around the world. If the MDRV6 is beyond your budget, the MDR7506 is a very reliable alternative. Its coiled cable is difficult to use when you're far from the headphone jack, and you cannot detach it, unfortunately.Ĭheaper Alternative to MDRV6: Sony MDR7506 The excellent bass response means that working on an electronic track with heavy subwoofers in a DAW was a pleasure. Most of the construction materials are plastics, and the band is metal, with ergonomic leather padding. They feel weak and thin, and they shake a lot. The Sony MDR-V6 are legendary studio headphones, but the finish isn't very enticing. The headphones have a frequency response from a sweep 5 Hertz to 30 kilohertz. It has an over-the-ear design which offers improved comfort while reducing external noises.
#Best video editing headphones for mac drivers#
The 40mm drivers produce detailed and powerful sound. It has a wired connectivity technology with Neodymium magnets. There is also a 1/4″ adapter and a soft carry bag.
#Best video editing headphones for mac full#
Inside the box are the MDR-V6 headphones with a 10-foot long, non-detachable coiled cable in full extension. If you have a tighter budget, the V6 can replace the 7506 perfectly. The Sony MDR-V6s have a higher dynamic range and are generally cheaper in stores. Very similar to the bestselling (and cheaper) Sony MDR-7506, we can find in these headphones very similar features and reliability just as the former. You will be wearing these headphones for hours, after all.īased on all these requirements, I've picked my list of the best headphones for editing you can buy right now. You also need portability, comfort, and sufficient noise isolation. This gives you a far better idea of the actual audio.īut not any pair of studio headphones will do. That is, instead of adding any color, these headphones have a “flat” EQ curve. Usually, these are studio monitors with a flat frequency response. What you need is a pair of tonally neutral headphones. While this “color” might make commercial pop music sound better, it does not give you a clear idea of the raw audio. For one, they add their own “color” to the audio mix – mostly by bumping up the frequencies in the low and top end. While you might not be responsible for audio mixing, you need to be able to hear the nuances of what you're editing, aside from keeping track of issues such as audio quality and syncing.Ĭommercial headphones aren't a good fit for editors. It doesn't matter what you're editing – a feature-length movie, a car commercial, a YouTube video – you need accurate sound reproduction.
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